flore fockedey

based in Brussels
fockedeyflore@gmail.com
@fockedeyflore

Flore Fockedey is interested in surfaces and the spaces they can make.

She defines a surface as an assembly of components, sometimes stitched, knitted, or bolted.

Though she often returns to textiles, her projects are not limited to this.

Her work explores architectural conventions: tectonics; permanence; the distinction between inside and out.

She develops both concrete and symbolic aspects of each intervention.

Flore explores where materials come from: their production cycles, know-how, local and historic relevance.

She thinks about how they can be resituated, ennobled, and combined.

By using existing products and processes she aims to maximise impact and minimise waste.

She pursues all this in collaboration with a network of textile designers, artists, craftspeople, and architects with complementary tools, skills, and sensibilities.

People she collaborate/d with ; Babini Geysen, Central, Chevalier Masson studio, Co-Meta, Coupé Décalé, Depeyre Morand Architectes, Diane Stevelynck, Emma Cogné, Epoc, Every Island, Fallow, HBAAT, Hugo Corbett, i.s.m.architecten, Ines Lobo, Johanna Bendlin, Laurent Muller, Laurine Tribolet, Léa Lacasa, Lionel Esteve, Manon Pigeon, Marie Douel, Mopsa Marciano, Nord, Okto studio, Olivia Sampaio Kuhn, Onkruid, Pauline Fockedey, Petar Petricevic, Quentin Sommervogel Architecture, Roxanne Luguern, Sébastien Roy, Sub rosa print, ...

52 Screenshots, self-published by flore fockedey, edition of 30 copies, Brussels — 2024

Recently screenshotted

Recently researched

Flore Fockedey is interested in surfaces and the spaces they can make.

She defines a surface as an assembly of components, sometimes stitched, knitted, or bolted. Though she often returns to textiles, her projects are not limited to this.

Her work explores architectural conventions: tectonics; permanence; the distinction between inside and out. She develops both concrete and symbolic aspects of each intervention.

Flore explores where materials come from: their production cycles, know-how, local and historic relevance. She thinks about how they can be resituated, ennobled, and combined. By using existing products and processes she aims to maximise impact and minimise waste.

She pursues all this in collaboration with a network of textile designers, artists, craftspeople, and architects with complementary tools, skills, and sensibilities.

People she collaborate/d with ; Babini Geysen, Central, Chevalier Masson studio, Co-Meta, Coupé Décalé, Depeyre Morand Architectes, Diane Stevelynck, Emma Cogné, Epoc, Every Island, Fallow, HBAAT, i.s.m.architecten, Ines Lobo, Johanna Bendlin, Léa Lacasa, Lionel Esteve, Marie Douel, Manon Pigeon, Mopsa Marciano, Nord , Okto studio, Onkruid, Pauline Fockedey, Petar Petricevic, Quentin Sommervogel Architecture, Roxanne Luguern, Sébastien Roy, Sub rosa print

based in Brussels

fockedeyflore(at)gmail.com

@fockedeyflore

visual identity by Laurine Tribolet and Laurent Muller, 2024

content adviser Petar Petricevic

text by Pauline Fockedey

English version by Hugo Corbett